The Road to Bone Hill Book Review by Glenda

The Road to Bone Hill Book Review by Glenda

The Road to Bone Hill

Review by Glenda

 The Road to Bone Hill by Kenton J. Moore

Published by Soul Forge Media

___________________________________________________

Hello, is it mead you’re looking for?

Lionel Ritchie, started humming. The skull’s empty eye sockets blinked. I swear I saw a horn move. I entered a world I never knew existed…

 

 The Road to Bone Hill took this reader from the Coast of BC to the North of Kamloops in Canada. Invited by author Moore, I flew into his story, fuelled by a big bucket of honey and a restless spirit. I entered the world of mead.

I didn’t know I meaded it until I read it.

Moore both entertains and educates as he zips the reader through the process of mead-making. His attention to detail had me believing that I too, could make mead simply by following his instruction. At moments I wanted to. At moments I could smell the cotton candy air as he caramelized honey. At moments I could taste the words on my tongue. I drooled, it landed on the cover of the book, and I wiped. My husband asked what I was doing.

“Just reading. Do we have any mead anywhere? I have a sudden urge.”

“Mead?”

He looked at me blankly. He needed to read the book.

I appreciated the dip into history as Moore explored the French mead from the 1300’s. I thought it fascinating that one could drink essentially the same mead from that era and also interesting from a historical perspective, that a recipe copied from century to century still existed, giving me a small glimpse into their lives. As the book was an instruction book of Mead I think a deeper dip into Mead’s history may have accentuated the flavor, like salt on caramel.

The bones and the name on the cover made me say “Whattt?” and I was thoroughly pleased when Moore connected the cover to his story.

Moore avoids a book of dry instruction by dipping in and out of the ‘how to’s and into the ups and downs of his life. The result is a nicely paced book that had me flipping pages to see what would happen next.

Moore’s passion, his life, his know-how, and a couple of recipes are nicely contained in a paperback available on Amazon for 26.87 Canadian Dollars. If you are thinking you want to make mead, it’s an amazing price for his knowledge. Moore also seems to be a human you could reach out to via social media with any question. Indeed for the price of a couple of Big Macs, some fries, and a chocolate shake you could have his wisdom sitting on your bookshelf and his mind a Facebook click away.

While the information and Moore’s life were tied up into a well-worded bow, I had difficulty with the presentation from the layout/publishing aspect. While surprised that the photos contained inside were color, some of the photos were pixelated leaving the reader feeling that the publishing was on the low side. A couple of pages had off – centered text that seconded the first thought. The blurb on the back didn’t have the negative space surrounding the text that seemed in tune with a higher-quality publishing experience. I realize that color photos are not inexpensive, so I appreciate the idea. To push this idea to perfection it would have been ideal to see a paper quality that supported crisp color photography.

As I can see the book being pulled off the shelf of a Mead maker again and again and again, I can imagine a more durable cover would be forgiving to juice-covered fingertips. My drool marks didn’t wipe off.

Not yet available on Kindle, I’m quite sure this medium would be welcomed by all.

I rate the layout of the book at a 3 out of 5 and the inside information a solid 4 out of 5 with a strong encouragement to buy if you are looking at getting started in mead making. Moore’s experience, I feel, could save you a lot of time and money and it was just plain enjoyable to read.

 The Road to Bone Hill is a lively site see through the eyes of Moore. I enjoyed reading about parts of BC I have never visited and hearing some stories of his life as he navigated COVID and loss. Even if you have no desire to make mead but enjoy memoirs and biographies of regular people, I would recommend it.

Now I’m off to the liquor store to find a bottle of mead even if I don’t mead it ;P.

 

Cloud Cuckoo Land Review By Glenda

Cloud Cuckoo Land Review By Glenda

Cloud Cuckoo Land

Review by Glenda

Mamma I’m Coming Home!

 

The cover didn’t draw me to this book. The author did. I didn’t even read what the book was about before I purchased it. When I started it, it made my head spin and I scrunched up my face and went, “Whhhhaaat?” 

“What the heck, was this?”

Well I found out!

 

 

 

Momma, I’m coming home. The cry of the mythical ‘Cloud Cuckoo Land’ placed strategically within Doerr’s fictional ‘Cloud Cuckoo Land’ threads together five lives over eight centuries. It seems fitting that Ozzy Osborne sings its theme song!

You need the end to understand the beginning.

This happens in life quite often, you don’t understand why you are going through something, or why things are happening in the sequence they are. It is only afterward, when your eyes bounce down the timeline of life that it becomes clear. Sometimes amazingly clear. It is only then that you sigh in absolute wonder and breath in joy, ‘That’s it! That’s why!’ Holy hockey sticks! Bloody amazing!

I, like many of the ‘one-star’ reviews on Amazon, had difficulty with the beginning of Cloud Cuckoo Land. I felt like I was treading water in a sea of information. An ancient Greek story that I don’t care to read somehow on this stage with future Konstance and recent history Zeno with 5 kids in a play. What does the geeky autistic awkward antagonist in Seymour from 2020 have to do with a girl named Anna and the gentle ugly human, Omeir from 1439? How the heck were all these people in all of these eras going to connect?

Why am I reading about Constantinople? For ‘F’ sake. Can’t I just read Doerr’s beautiful prose in a simple story? Why is he pushing my mind to think? Instead of super simple he’s spooning Greek Text into my morning coffee, I really wasn’t sure how I felt about that!

My mind ached. I wanted to put it down.

But then the words of my best friend from 1940 whispered in my ear. “Glenda, keep reading. If you put it down you learn nothing. If you read to the end you may only understand 10 percent but that’s 10 percent more than you have if you put it down.

“Yes, Mortimer Adler. We’ve danced this dance before. I know what to do.”

I picked the book back up.

I continued.

Cloud Cuckoo Land was not a book to read anywhere but by myself in quiet with no distractions.

‘Holy hockey sticks’ started slapping midway. I wanted to read it quickly to get to the ending but that’s not what one does with a Doerr book.

Some books are a piece of Hubba Bubba. You unwrap it, put it in your mouth, chew quickly to extract all the flavor, and spit it out. Be done with it. A Doerr book is a piece of Worthers. Chocolate-coated Worthers with a crystal or two of sea salt on top. It is to be savored. And you must take time, if you bite through it quickly you will miss the pleasure of it.

Every character and even supporting characters in Doerr’s Cloud Cuckoo Land hit ‘Worther’ status. I was flying with Trusty Owl and blinking flies away with Moonlight and Tree. Classic Doerr! His words had me hearing the scratching in Seymour’s brain and feeling the Greek text under Anna’s fingers. I saw nature I’ve never seen, and will never see. Doerr created his own perambulator with words and had me walking, and touching, and feeling, and seeing and smelling and brilliantly he connected it all. This is a Five Star Book that I will keep in my library and read again and again.

You need the end to understand the beginning.

 

The Miserable Ones

The Miserable Ones

The Miserable Ones

Intro

 

Sometimes a simple prompt can pull a question from the mind. Coffee shops. How old are they? I went on a bit of search and the minute I read about the Cafe Procope I smiled. Victor Hugo went there?! Amazing! Yes, Yes! I can write to this prompt.

This is the amazing thing about prompts. I had no clue this story existed in my mind until I read it:

The Reedsy Prompt was ‘Start your story in a coffee shop without using obvious words to describe it (e.g. barista, coffee cup.)

 

“L’habituel?” The usual?

Mais bien sur.” But of course.

Tout de suite.” Right away.

Victor settles himself and waits.

On this side of the window pane, Voltaire and Diderot still hum. It is as if they pass through the century without moving a muscle. The dead leave thought. Here it still whispers from the walls.

A tinkling of glass is heard from the far room. Laughter from the room beside that one. Each compartment within the building had a history. La Fontaine has coughed in this one. Napoleon Bonaparte in that one. Voices of both are etched into the wallpaper and the gold guild mirrors still keep their secrets. The windows blink her eyes at their ideals. On the one side, they are warm, on the other, soggy. On the one side, dry, on the other side noisy. Placement, position, perspective. Rain taps against the glass.

Victor inspects his fingers as he waits. Elongated bones bruised in ink. His right index finger and middle finger are dented where the steel squeezed out words. He rubs them absentmindedly. The dents remain. Scars of his work etched in his skin. Ink tattoo its name there. The stain of his thoughts layered and trapped. The ink would never come out. He blinks, raises his eyes, and gazes out the window.

****

One bruise across his cheek. Three scratches below that. His bones protruded; on his face, on his chest, on his back. Muscles that were to make him strong hadn’t been fed this day or the day before. The promise of bread is a wish. His stomach is too hungry to growl. He lifts a bushel of coal from the cart, it weighs more than him. His name is Henri. His age is ten. He had a father once and a mother too. Today he has coal and a whip held by the driver. Both are delivered.

Women dressed in silk, sitting in carriages pulled by stallions take no notice of him, and he no notice of them. He is working, they are not. They have bread, he has none. They live on the same earth, in the same city, on the same ground. They breathe the same air and feel the same rain and the coal touched by one warms the other.

A monk passes on soft feet under a cloaked hood, far enough from Sainte-Chapelle that the eyes of God don’t follow. He would raise his brow to the boy if he had noticed him, but boys, like flies, are only visible when they need swatting. A bell vibrates the air. God announces ten o’clock. The stallions pull the women away and the monk rounds the corner. Only rain keeps Henri company on the cobblestone. His teeth chatter. They’ve been chattering for three years.

He moves like his body hurts. The bones that have existed for 3650 days are bent where they should not be bent. Under the bushel, Henri slips, and the coal escapes his grasp and tumbles across the stones. Pieces roll and bounce and slide and black dust puffs behind. Raindrops mix the powder creating ink the color of anthracite. A puddle of it here, a vein of it there. Henri signs his name on the cobbles with his feet. He bends to pick up pieces and a whip comes down across his back. He flinches and raises his head before the second lash claws. He uses his arm to steady himself against the building. The window at 13 Rue de l’Ancienne Comédie blinks. Henri is staring through its glass as the whip cracks number two.

****

Pierre has returned to the table with a delicate cup sitting on a delicate saucer. Indigo and emerald in equal parts edged in gold. The portrait of a small child running between trees is painted into the center of the saucer, a similar portrait on the cup. The porcelain held boiled beans with milk and was placed on the linen-covered table just as Victor and Henri’s eyes met through the window.

One observes an old man with clear, soft eyes. White whiskers cover the cheeks, and white hair covers the head.

The other observes a child with eyes blackened in coal dust and hunger. They hide under a shock of coarse hair. The damp clothes him, pulling in his bones and holding them stiff. Ice doesn’t bend. The window vibrates beside his teeth.

The sound of a whip cracks and snaps his eyelids awake in time to see the boy wince within his shivers. The whip has no power to stop the chatter. The boy’s eyes shift from black to hate.

A thousand years of philosophers dance on the tip of one thousand pens. Vacuous. The boy bleeds into their ink.

Victor is silent but his thought is not. Phrases chatter through his mind faster than the boy’s teeth.

“it is in suffering that humans become angels…”

“All crimes of the man begin in the vagabondage of the child…”

“You ask me what forces me to speak? a strange thing; my conscience…”

“bad to good, bad to good..”

What is it that inspires a writer to write? To simply tell a story? Perhaps to tell the truth? Maybe yet, a whisper from God? “You saw it, now tell it! Speak what you see so others may see it too!”

The boy disappears before his liquid does. The thoughts do not, and by the time he had finished cup two, the first page had been formed and memorized.

“Not everyone will read it, but it will be written for everyone.” He thinks.

Victor stands, places a couple of Sioux on the table, pulls on his jacket, and buttons it. With his head down in continued thought, walks to the door, opens it, and exits the Café Procope.

On the cobbles in front of the window, Victor sees a drop of blood and, beside it, small footprints stamped in coal dust. He sighed, bent over, and with the tip of his index finger, he pushed the dust into words.

Les Misérables

 

 

 

Baptized in the Spoken Word

Baptized in the Spoken Word

Baptized in the

Spoken Word 

Intro

I didn’t know the word Appalachia until I met David, and have since come to learn it goes beyond a word. It’s a world. Storytellers steeped in tradition, rocking on porches, drinking coffee, and exhaling wisps of smoke from cigarettes, watch as their sky opens. Sometimes storms release, sometimes a story. Sometimes we are lucky to know them. I’m a lucky one.

 Please allow me to introduce my guest blogger this week. David Sweet, as he answers my question, “What inspires you to write?”

 

Dad’s eyes lit up when I told him tales about his great-great-grandfather, George Burkhart. George, a legend in Harlan County, Kentucky, moved his family to Crank’s Creek in the late 1700s; they lived for a time inside a large, hollowed-out sycamore tree in that virgin forest of America’s early western frontier. I told my dad I had discovered that ol’ George also danced, played fiddle, cured people and animals of curses placed upon them by witches, fathered a child at 102 (a most interesting tale), and  lived to be 116 years old. Newspaper articles from Cincinnati to Kansas City covered these accounts about the oldest living man in America in 1820. My dad, contemplating George’s legacy, wanted more.

What makes this remarkable is that my dad rarely talked to us when we were kids. A Baptist lay pastor all of my life, I heard him talk about his life sometimes in his sermons, but he rarely talked at home. A working-class man, sometimes working 12-hour shifts, six days a week, he also labored on our small farm and pastored a rural church. I suppose he didn’t have much time to talk to us. That is, until he retired in 1994. 

Dad  passed away in 2015, but in that 21 year span he began to open up to us. He talked more as his years on this earth dwindled. A few years before his passing, I shared George Burkhart’s legacy with him. Aware of my life-long passion for writing, he encouraged me to write about George and others. Dad opened up about his childhood, telling me interesting anecdotes about himself I had never known. In the end, his sharing of these stories made me have a deeper connection to him. It would also reignite my passion for writing when I retired in July 2022. I wanted to tell more stories.

In a tradition of some Appalachian ways of communicating, this introduction has come a long way around the mountain to answer Glenda’s first question: “What inspires you to write?”

Stories. Stories read to me as a child; stories I read in school; stories I heard in church; but, mostly, family stories. When I was a kid, an old adage was: “children are made to be seen, not heard.” The youngest of six children, I enjoyed the limelight too much and wanted to be heard, but I had to learn to listen first. I listened to my oldest brother and Dad discuss current events, politics, and my brother’s time spent as a young man in the Vietnam War; my dad talked about his life as a sailor in WWII. I also listened to my mother’s brothers when they visited from Ohio. They told stories about growing up in Kentucky and how life was different here. In fact, my uncle Stanton, who worked in a book-binding factory, brought boxes of discarded books, some of which included early editions of Tarzan, Lord of the Jungle and Call of the Wild. Uncle Stanton wrote a short story I keep in my desk drawer. I often think about re-visiting it to edit for his family. The greatest storytellers I heard, however, were my brother-in-laws and my oldest brother. They seemed to challenge each other to see who could top the other’s yarns. I grew up baptized in spoken word.

Now, to answer Glenda’s second question: “What do you enjoy writing about and why?”

In high school, I thought I would write another ‘Great American Novel’ in the vein of J.D. Salinger, or I would break into the science fiction genre and be another Frank Herbert. I slowly (and painfully) realized I was never going to do any of those things. I was me. I carried something else that deserved to be told. My stories. My family’s stories. Currently, I am rooted in the past, revisiting family stories, exploring ideas I had as a child, and redeveloping fictional storylines I created 30 years ago.

I enjoy resurrecting people and characters from my life. Some have passed on, others are no longer in my life, but I want my readers to know them and feel the same way I do about them. Perhaps my readers will dislike them, (and that’s okay). Perhaps my readers will discover something they didn’t know before. A difficult task in writing about family is that portions of these stories are, sometimes, painfully true; gaps also exist where I am missing information. Sometimes, I create gaps, filling them with my imagination, hoping my audience understands. Most of all, I want readers to know that I love all of these stories, positive and negative, because they are me, and I have carried them all my life.

Consequently, I have wanted to be a writer almost my entire life. 

I wrote my first poem when I was seven years old for a girl on the school bus: I was in second grade; she was a high school freshman. I wrote my first story when I was in third grade, scribbling twenty-seven pages in a wire-bound notebook. I lost some of the first pages and gave up on the story. It still exists in some form in my head. I wrote my first novella when I was in middle school. My English teacher loved it and submitted it to a writing contest. I didn’t win nor get my manuscript returned. I did, however, have a few poems published in literary magazines while in high school. Remarkably, the girl I wrote poems for in second grade kept them and gave them back to me when I was in college, which gave me hope that people connected to my writing. But, I put creative writing aside in college to pursue a short career in journalism. I also taught creative writing, English, and a host of other subjects during my 24 years as a teacher, but I wasn’t truly writing. It took retirement a year ago to set me on that path again.

I started exploring ideas I toyed with in middle school, high school, and college. I began writing poetry again, finding better imagery and brevity. One of my short stories, “Southbound” won a prize on Reedsy.com. It was a manifestation of a family story. I have come back full circle to those stories I heard when I was a kid. 

Stories are in my soul, in my DNA. In fact, I believe the desire for storytelling weaves itself indelibly into the universal consciousness of mankind. Humans have been storytellers for tens of thousands of years. Stories want to take on lives of their own, they desire to thrive out in the open, and they are driven to reproduce and evolve like any other organism. So, my inspiration and enjoyment for writing is just inherent, like it is in all of us.

To enjoy some of David’s work please visit the websites below.

 

https://blog.reedsy.com/creative-writing-prompts/author/david-sweet/

 

https://podcasts.apple.com/us/podcast/31-southbound-by-david-m-sweet/id1577467066?i=1000586191258

 

 

The Pale-Faced Lie Review by Glenda

The Pale-Faced Lie Review by Glenda

The Pale-Faced Lie

Review by Glenda

It was the cover and nothing other than the cover that pulled me in to press the ‘buy’ button for this memoir.

Who was that little boy holding up such a big car? What was his story? I knew it wasn’t going to be good because the words scrawled across the front in white and blood red screamed what the little boy couldn’t…

Dark. Glenda, this one will be dark.

 

The Pale-Faced Lie is a perfect title for this memoir set throughout the late ’50s, ’60s, and into the ’70s culminating with David Crow, the adult, answering the unanswered questions I had gathered along the way.

It was dark, and I had to put it down on several occasions because it was disturbing. I also read other books between it. I could only absorb bits of David’s experiences at a time. I felt bad about that. He had to live it every moment of his life.

To say that I grew to despise the actions of his Mother, his Father, and Mona is an understatement. What they did made my blood curl. If you are particularly sensitive to the plight of childhood abuse you may want to pass this book over. While the lashings lashed, it was the psychological attacks that made me seeth, more than once I threw the book down uttering “What is WRONG with people!”

It was hard to read. YET…

There is victory.

Some readers may not think so. I can imagine some readers would have liked a victory that had David slaying Goliath with a sword of flames. This David used a potato… and then later a pebble. He inspired me by using the pebble of forgiveness. It’s so much easier to hate.

While I know David needed to forgive to survive, I did very much enjoy reading how he used everything his father taught him on his father. (I’m guilty of enjoying a little vengeance. 😛 )

Throughout the story, David ran. I was able to catch him on Facebook to ask if he was still running. A knee injury has him pedaling instead. (PS I love Authors who take the time to respond to us ‘regular’ folks!) I understood what running did for him and truly was thankful that he discovered it for himself.

David pulled me into the era of his youth and introduced me to places I’ve never been yet his descriptions of the Navajo battling their alcoholic demons resonated with me here in Chilliwack BC. Our natives beat back the same demons in 2023.

I gave the book a solid 4 out of 5. But David gets a 10 out of 5 for endurance and overcoming!

If you love memoirs, if you love stories of human lives enduring and surviving (against the odds I have to add) then you will enjoy A Pale-Faced Lie.